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Getting started
  • Creating spanners — hairpins, slurs, and lines
  • Editing the note before your cursor
  • Entering notes
  • Selecting notes and ranges
Note
  • Building chords by stacking intervals
  • Creating tuplets
  • Sharps, flats, and courtesy accidentals
Dynamics
  • Adding dynamics and hairpins
Articulations
  • Articulations, fermatas, and breath marks
  • Bowing and guitar technique marks
  • Using different notehead shapes
Ornaments
  • Adding grace notes
  • Adding slurs
  • Glissando and tremolo
  • Trill lines and octave-shift lines
  • Turns, mordents, and trills
Voices
  • Working with multiple voices
Select & edit
  • Copying, cutting, and nudging a selection
  • Narrowing what a selection affects
  • Transposing a selection
Text
  • Adding chord symbols
  • Adding expression text
  • Adding lyrics
  • Adding rehearsal marks
  • Adding staff text
  • Adding technique text
  • Adding tempo markings
  • Using the sustain pedal
Bar
  • Adding and removing measures
  • Barlines and repeat signs
  • Changing clef mid-score
  • Changing time and key signature
  • First and second endings (voltas)
  • Jumping to a measure or rehearsal mark
  • Segno, Coda, and D.S./D.C. markers
  • Splitting a score into sections
Instruments
  • Adding and managing instruments
  • Guitar tablature
  • Percussion and drum kit notation
Files & sharing
  • Editing score properties
  • Exporting your score
  • Importing and scanning sheet music
  • Sharing a score
  • Using the audio mixer
Help / Articulations

Articulations

Articulations, fermatas, and breath marks

Staccato, accent, and the rest of the F3 direct-toggle cluster apply with one keypress — no end point to pick, unlike a spanner.

Bowing and guitar technique marks

F3 9 marks bowing direction and harmonics on any instrument; F3 G marks guitar-specific techniques, gated to fretted instruments and drawn only on the TAB staff.

Using different notehead shapes

F3 N swaps a note's head between 10 shapes — X, diamond, triangle, slash, and more — for percussion cues, harmonics, slash charts, and silent counting.

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