Adding tempo markings

F7 T opens the tempo editor at the cursor, with seven categories — each one affects playback speed differently, not just how the marking looks on the page.

The seven categories

• Used in Score (U) — reuses a tempo already present elsewhere in the score; picking one reapplies it exactly.
• Tap Tempo (T) — tap along and QuickStave averages your taps into a BPM.
• Absolute (A) — a searchable list of standard tempo names (each with an editable representative BPM) plus a beat-unit selector; this is a real, concrete BPM value driving playback. A “Hide tempo” option keeps it silent on the page while still affecting playback.
• Gradual (G) — rit., accel., and similar terms, applied as a spanner across a passage (pick the end point the same way as any other spanner). Playback actually ramps the tempo smoothly across that span rather than jumping at the end.
• Relative (R) — più mosso, meno mosso, and similar terms. This applies an instant percentage change to the current tempo at that point — no BPM value is stored, just a relative shift.
• Reset (S) — a tempo, Tempo primo, and related terms restore an earlier tempo in the piece (a tempo reverts to whatever tempo was most recently in effect; Tempo primo/Tempo I return to the very opening tempo).
• Equation (E) — metric modulation (e.g. dotted quarter = quarter): states that one note value now equals another in speed, and QuickStave computes the resulting BPM for you.

Removing

F7 T X removes the tempo marking at the cursor.

Tips

• Reach for Absolute when you need a specific, guaranteed BPM, and Relative when you just mean “a bit faster/slower from here” without committing to a number.