Working with multiple voices

A measure can hold up to four independent voices on the same staff — for two-part writing on one staff, or for a note that needs to visually sit on the other staff of a grand staff without actually belonging to it.

Switching voices

Ctrl+1–Ctrl+4 changes which voice new notes are entered into. Switching to a voice that doesn’t exist yet in the current measure creates it automatically, filled with rests matching the measure’s rhythm — you don’t need to add it in advance.

Moving and swapping voices

F5 M 1–4 moves the selected events into the target voice, leaving rests behind in their old slots. F5 S 1–4 swaps the entire contents of two voices across the current selection (Voice 1 ↔ 2, 3 ↔ 4, 1 ↔ 3, or 2 ↔ 4). Both auto-create whichever voice they need if it doesn’t already exist — same as switching.

Cross-staff display

F5 U / F5 D shifts the selected note(s) to display on the staff above or below, within the same instrument. This only changes where the note is drawn — the note stays in its original staff and voice; nothing about the underlying data moves. It’s for things like a low note in a right-hand piano passage that reads more naturally sitting on the bass staff.

Not the same as a spanner crossing staves. A selection that spans two staves and gets a spanner applied to it (see Creating spanners) produces two separate spanners, one per staff — the data on each staff never moves. Cross-staff display is the opposite kind of “two staves, one instrument” feature: one specific note’s drawing position changes, with no spanner involved at all. Same instrument, same word (“staff”), two unrelated mechanics.

Tips

• Cross-staff display is a no-op on a rest, on a single-staff instrument, or if the shift would move a note off the top or bottom of the grand staff.
• Move-to-voice and swap both preserve event identity, so any spanner attached to a moved note stays attached correctly.